Investigation of Qajar tombstones in Shahnshah, Hayat al-Ghayb and Haji Baktash (Based on the social function of the deceased) Lorestan Cemeteries

Document Type : Original Article

Authors

1 M.A Student At IslamicArt

2 Assistant Professor at Archaeology

3 Assosiate Professor at Archaeology

10.22077/jcrl.2024.7169.1096

Abstract

The tombstones of each historical period are made in accordance with the culture and art of that period and transmit historical, political, religious information and popular beliefs to the future. With the remains of the tombs, and the designs carved on them. The works left in the heart of the stone, as a silent word, introduce the treasure of the art of the past. Tombstones, due to their special relationship with humans, are a suitable platform for displaying thoughts. He and the symbolic images are related to them. Due to the unique geographical conditions and the existence of many habitats, the Lorestan region has an art with its own characteristics. Lorestan has gone through very important historical periods, from That sentence can be referred to the very important historical period of cave dwelling, from this period there is a painting left on the walls of the caves of this area One of the areas under investigation is the caravanserai at the corner of the Shahneshah, which One of the remaining works from the Safavid period, 11 kilometers west of Khorramabad city and in the village is located with the same name, with a tombstone in the historical tomb known as Haji Bektash in Shineh Qali region of Lorestan, based on the historical texts left behind and the beliefs of Ahl Haq, it is possible that this tomb belongs to Sultan Ishaq, who in This article tries to discuss these monuments from the point of view.

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