نوع مقاله : مقاله پژوهشی
نویسنده
استادیار گروه زبان و ادبیات فارسی، دانشگاه فرهنگیان، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Abstract
The mission of religious poetry is to articulate matters of faith. Each poet employs a unique style and
method in fulfilling this mission. This article utilizes a descriptive-analytical approach to investigate
the techniques employed by Ibn Husam Khusfi in his tarkib-band (stanzaic poem) Manaqib-e HaftRang in praise of Imam al-Zaman (a.t.f.s.), and to explore the reasons for his choice of a sevenstanza tarkib-band format for this purpose. Initially, the aesthetic qualities and underlying semantic
foundations of the seven stanzas of the poem are examined; subsequently, a final conclusion is
presented. The findings of this research indicate that the poet, in order to express his profound devotion
to Imam al-Zaman (a.t.f.s.), selected a seven-stanza tarkib-band format centered on colors. In each
stanza, he has sequentially positioned the colors white, red, yellow, green, azure, violet, and black as
the refrain. In order of frequency, he has utilized alliteration, repetition, paronomasia.,
explicit metaphor,suitability,metonymy, attributive hyperbolic simile,
personification, detailed simile,poetic justification, (allusion), predicative
simile, iham (equivocation), comparative simile, antithesis, and paradox to articulate these central
themes in sequential stanzas: the illumination of the world by the light of Imam al-Zaman (a.t.f.s.), the
magnification of the religion through his struggles, confrontation with enemies and injustice and armed
struggle, the continuation of the path of the Prophet, Imam Ali (as), and Imam Hussein (as), seeking
their blood vengeance, and warfare and struggle against the irreligious, the eradication of evildoers, and
the Imam’s intercession for the poet as one of his true followers. Through defamiliarization, rulebreak
کلیدواژهها [English]
)