The novel Dakheel Eshgh (Love Involved) by Maryam Basiri is an outstanding example of contemporary ritual literature that intelligently utilizes the structure of narrative time to represent the religious beliefs and spiritual experiences of the main character. This research, with a descriptive-analytical approach and based on Gerard Genette's theory of time, analyzes the three components of order, continuity, and frequency in this novel. Data were extracted through a comprehensive text analysis of the novel, and the findings show that the author has created a multilayered and semantic structure with various types of chronology, including retrospection, foresight, summarization, deletion, and conceptual and emotional repetitions. The results of the research emphasize that time in this work is not simply the context of the narrative, but is a fundamental factor in producing meaning, deepening the ritual space, and creating an emotional bond between the audience and the text. This article introduces a model for analyzing ritual narratives within the framework of structuralist narrative.